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When the movie lets these ideas simmer under the surface, it has real power, especially in Rodrigues' experiences, which are gruelling both physically and emotionally. So debating the relative benefits of Christianity and Buddhism is actually beside the point. But the film's deeper themes explore the idea that we all have a yearning to understand the world and our existence in a way that makes sense to us. The film has an eerie resonance in today's divisive global climate, where everyone seems determined to protect their own culture from any outside influence, especially a religion that seems to run counter to long-held traditions.
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After they split up to search for Ferreira, Rodrigues is captured by Inoue and interrogated by his interpreter (Tadanobu Asano), who is determined to show him that Christianity can never take root in Japan. There they find an underground group of devout Catholics who are hiding from the cruel Inquisitor Inoue (Issei Ogata). But the journey is dangerous, requiring them to trust exiled Japanese drunk Kichijiro (Yosuke Kubozuka) to sneak them into a rural village near Nagasaki. Back in Portugal, two of Ferreira's proteges, Rodrigues (Andrew Garfield) and Garrpe (Adam Driver), volunteer to go in search of him.
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At the centre of the story is the disappearance of Father Ferreira (Liam Neeson) as Japan cracks down on foreign religions in 1640, brutally persecuting local converts.